故事设定在近未来，由于人口过剩和饥荒，政府不得不实行“独生子女”政策。正因为这个严格的计划生育议程，姐妹们必须轮流使用一个人的身份Karen Settman(拉佩斯饰)。她们的祖父(达福饰)给其命名为周一、周二、周三、周四、周五、周六和周日。每个人都可以每周外出一次。姐妹们只有在自己的公寓里才可以自在生活。直到有一天，“星期一”没回家......

在宁静祥和的摩尔王国，广袤的大森林中，动物与精灵和谐相处，无忧无虑。那一年，天真无邪的小仙女玛琳菲森（伊莎贝尔·莫洛伊 Isobelle Molloy 饰）邂逅了人类小男孩斯特凡（迈克尔·希金斯 Michael Higgins 饰）。他们两小无猜，成为亲密无间的好朋友， 更在万物的守护下坠入爱河。但是随着年龄的增长，斯特凡（沙尔托·科普雷 Sharlto Copley 饰）褪去了往日的纯真，被人类的贪欲所吸引。而玛琳菲森（安吉丽娜·朱莉 Angelina Jolie 饰）则成长为法术强大的仙女。愚蠢的人类向摩尔王国开战，斯特凡为了成为王位继承者，残忍地割下了玛琳菲森的翅膀。　　肉体的痛苦和心灵的创伤，让玛琳菲森变成了满怀仇恨的冷酷魔女，为了复仇她给斯特凡的女儿爱洛公主（艾丽·范宁 Elle Fanning 饰）施下了沉睡魔咒……

2027未来世界，恐怖主义弥漫全球，科技发达，使人类神经系统可用人工磁片来取代。机器人为达到蚕食人类的大阴谋，先了绑架国际间各国领袖，继而派遣机器人复制繁殖以取代世界统治者的霸权。洛杉矶警界的杰出人物「雨水艾力」（奥利佛·顾纳饰）察觉这项阴谋，他寻求各种行动以阻止机器人的野心，而艾力身上却已被植入百分之十三人工器官……

超级英雄萌叔为了营救被地宫古魔挟持的芊儿，来到捉妖学院，并结识了御盾忍者、读心小妞、飞毯灵兽人、小魔豆...随着萌叔一行人身世的揭开，他们毅然决然的踏上了降妖除魔的道路。

The boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...

十九世纪末，亚历山大-哈特德根(Alexander Hartdegen，盖伊-皮尔斯饰，Guy Pearce)发明了一种时光机器，这种机器可以将他带入80万年以后的未来。在那里，他发现人类已经进化成了二个种族：艾洛伊族(Eloi)和莫洛克斯族(Morlocks)……　　跨越19、20世纪的传奇科幻小说作家H.G.威尔斯(H.G.Wells)著成了这部经典小说《时光机器》。在他的那个年代，他被称之为“可以看到未来的人”。然而，如果确实可以看到　　未来，H.G.威尔斯就会惊讶他最著名的小说被搬上了大银幕，而且不止是一次，而是二次。　　自从威尔斯的小说问世100多年以来，许多事情都变了样，但威尔斯对未来的设想以及时光旅行的概念仍然对观众们具有强烈的诱惑力。本片的制片沃尔特-帕克斯(Walter Parkes)评论说：“时间返回到20世纪60年代初，《海底两万里》和《地心游记》这类影片引发了我们无穷的幻想，而这些影片的祖师爷就是乔治-帕尔(George Pal)执导的1960年版的《时光机器》。今天，我们拥有的技术使我们可以打造出一个H.G.威尔斯曾想像过但制造不出来的世界，这是相当令人振奋的。当然，这个故事的基本情节----亚历山大身着马甲、系着领带、外套夹克，爬进了那个美丽的手工制造的维多利亚式机器，进入未来世界旅行----时至今日仍然像当初一样给人留下深刻的印象。”　　这部新片已经很难让人再产生对H.G.威尔斯的联想了。2002年版《时光机器》的导演是西蒙-威尔斯(Simon Wells)，他是作者的曾孙。虽然有着家族的血缘联系，而西蒙-威尔斯却工作在动画界，并小有名气，特别是他还是梦工厂史诗般巨作《埃及王子》的合作导演，这是他第一部给人留下深刻印象的作品。　　《时光机器》的故事中，存在着四个不同的世界。威尔斯描绘说：“第一个世界是20世纪之交的纽约。我们先是来到了离我们不远的的将来----2030至2037年。最后我们又到达了一个更远的未来，在这里我们发现艾洛伊人田园诗般的世界里还存在着莫洛克斯人的黑暗世界，这有点象但丁的地狱一样。每个世界都有其独特的视觉风格。”

公元2025年人类经过一次浩劫后，机战兵团已控制地球，全球经此大战后几近灭亡，但残存的部队依旧火力交战毫无停止的迹象，经年累月的战事已使这个无政府状况下的地球更加无宁日人类的未来、希望，直到2039年的一日…

动物园准备开放，聘请一班实习生到访实习，没想到一种神秘病毒在动物园内开始蔓延爆发，全动物园的动物因而变成噬血活尸，成了真正的尸乐园，现在园区内的幸存者除了得想办法逃出生天外，还必须阻止这群饥肠辘辘的动物活尸走出园区……

在一个静寂肃杀的夜晚，居住在镇上的柯迪（保罗·麦卡锡·波英顿 Paul McCarthy-Boyington 饰）、杜克（布莱德·威廉姆·汉克 Brad William Henke 饰）和欧提斯（麦克·C·威廉姆斯 Michael C. Williams 饰）穿梭在阴森的丛林中，几番交手最终抓到一只形容恐怖的异种怪兽。它的眼睛能够迷惑人的心智，被其伤害后全身会因感染而溃烂，最终痛苦死去。柯迪的哥哥提米15年前即死于异种之手，多年来他和同伴一直往返森林和小镇，寻找复仇的机会。　　这次他们带着异种来到当年的好友韦尔（亚当·考夫曼 Adam Kaufman 饰）家中。柯迪、杜克受伤被感染，韦尔的女友紧张之余还打电话报警。混乱之际，异种挣脱锁链逃脱，恐怖在斗室之中蔓延……

海伦娜出生于太空舱，为的是从地球旅行到遥远的赛莱斯特星。因氧气补给问题，召唤空间站维修人员，期间海伦娜遇到了修理工阿历克斯，很快就爱上了他。所以阿历克斯打算告诉她真相：她是一个秘密实验的一部分，以测试人体在长时间太空旅行的影响。

Marine atomic tests cause changes in the ocean's ecosystem resulting in dangerous blobs of radiation and the resurrection of a dormant dinosaur that threatens London.

在第三次世界大战期间，美国政府发起了一个秘密的项目代号为“陆军培根”，以创造超级士兵近交人与猪。25年后，一种叫做“枪口”已经占据食物链的顶端，吃和人类饲养动物一样。罗布正义是一个前赏金猎人工作的最后一行人类抵抗-一组幸存者躲藏在核掩体深处地下。他的任务是找出枪口上台并消灭他们。

British Army radiation drills at a remote Scottish base attract a subterranean, radioactive entity of unknown nature that vanishes, leaving two severely radiation-burned soldiers... and a bottomless crack in the earth. Others who meet the thing in the night suffer likewise, and with increasing severity; it seems to be able to absorb radiation from any source, growing bigger and bigger. What is it How do you destroy a thing that feeds on energy

因为一起天然气爆炸事件，让古董店老板唐古跌入人生谷底，挚爱的妻子和弟弟同时殒命，唐古意外发现古董店新收的老钟能够带他回到爆炸前的一刻，由此上演了一出生死时速，然而这起“事故”并非如他所想的那样简单。

When a comet passes the earth very closely, it pulls a small part of North Africa with it. Carried along is a bunch of people. Among them Angelika, who just escaped from a ruthless weapon dealer's ship, and her two brothers, who are searching her. Then there's a group of natives, who plan a rebellion against the French colonists. All these conflicts become secondary when the people finally realize that they are doomed to live together on an alien planet. However this time of peace and world-happiness won't last for long...

Sarah(凯伦·吉兰 饰)在收到绝症诊断后，决定用克隆技术复制自己，以减轻她的离世对朋友和家人造成的痛苦；可她却奇迹般地康复了。然而，此时她申请销毁自己的克隆复制品的尝试却失败了，法院授权判罚：本体和克隆体必须进行决斗，两人只能活下来一个。

12岁女孩子奥菲丽娅（伊万娜•巴克尔洛 饰）有一个凶暴的法西斯军官继父维达（塞吉•洛佩兹 饰），维达的任务就是镇压反抗者，研究各种刑具来折磨残害被抓来的异见人士，奥菲丽娅每天都目睹让人不愉快的事件。眼看着冷酷的继父和其党羽每日作恶还以此为乐，母亲又身怀六甲患病在床，被孤独感和目睹暴行的痛苦困扰的奥菲丽娅开始沉浸在自己的幻想中聊以自慰。　　一天，奥菲丽娅遇到了迷宫的守护者，潘神（道格•琼斯 饰）。潘神告诉她，她其实是奇幻王国失踪的公主，要想恢复身份，必须通过三个危险的考验。

故事发生在1870年的英国，传闻中海怪的出没的消息惹得人心惶惶，各国政府都排遣除了军舰在大海上巡逻，哪知道这些军舰均被海怪给击沉了。阿龙纳斯教授（Dan Hanlon 饰）和他的助手康赛尔成为了海难中的幸存者，同时保住了小命的还有鱼叉手尼德（Curtis Benton 饰），一行人被鹦鹉螺号潜艇救起，他们也就此认识了潜艇的主人尼莫船长。　　尼莫船长久仰阿龙纳斯的大名，把他当做上宾接待。但是船长暴躁的个性和激进的手段让阿龙纳斯明白，此地不宜久留。尼莫船长向阿龙纳斯展示了自己多年来苦心钻研的研究成果，亦带他畅游神秘的海底世界，但阿龙纳斯的脑袋里只有一个念头，那就是逃走。

公元1664年（崇祯十七年）三月十八，闯王李自成率领大顺军攻克北京推翻明王朝，明崇祯帝煤山上吊，留下惠妃和公主。被阉割后拥有超能力的明朝太监大宝负责照顾两个女孩，开始了寻找大宝的“宝贝”之旅。三人一路艰辛曲折，最终战胜恶敌，大宝找回自己的“宝贝”，变回了男人，并和惠妃得有一子，取名“小宝”。

Scot想要从歹徒手中救出妹妹，却遭人陷害，被控谋杀，被处以死刑。一位疯狂科学家把Scot的大脑植入大猩猩体内，Scot以大猩猩的身躯复活，开始他的复仇...

Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

The monster, which looks like a nastier version of The Creature from the Black Lagoon, invades a sleepy lighthouse town. The superstitious lighthouse keeper is worried for the safety of his beautiful teenage daughter, so he leaves food for the monster, who dwells in a nearby cave. When bodies wash up ashore, the locals take notice.

心理学家克里斯•凯尔文（Donatas Banionis 饰）在飞往索拉瑞斯星之前来到儿时的父母家与当年的索拉瑞斯飞行员亨利•伯顿（Vladislav Dvorzhetsky 饰）见面。伯顿警告凯尔文索拉瑞斯星上会有不可思议的奇事发生，但后者并不以为意。凯尔文离开前，当 着父亲（尼古莱•格陵柯Nikolai Grinko 饰）的面焚毁了自己的个人物品。凯尔文到达索拉瑞斯星附近的太空站后，对科学家奇巴瑞安博士（Sos Sargsyan 饰）之死进行调查，却发现自己多年前已经去世的妻子哈莉（Natalya Bondarchuk 饰）竟突然出现。惊慌失措的凯尔文与太空站上的科学家们讨论该如何面对怪事，却发现原来每人都深受其扰，不明就里……　　本片被提名1972年戛纳电影节金棕榈奖，并获同年戛纳电影节评委会大奖和国际影评人协会大奖。

Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.　　This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.　　COLOSSUS THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001 A SPACE ODYSSEY. The latter reason is obvious Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out One inevitable rule is that Mankind is his own worst enemy.　　Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.